D. Dominick Lombardi is an artist, writer and curator. Before Covid, he was represented by Kim Foster Gallery, New York, NY. Currently, Lombardi is represented by Prince Gallery in Copenhagen, Denmark. In addition to those two relationships, Lombardi has been a part a series of exhibitions, curating shows at a variety of institutions including the Morean Arts Center in St. Petersburg, FL; and the Hampden Gallery in Amherst, MA.
Feature articles and reviews of Lombardi's exhibitions have appeared in The Weird Show (part 1 of 3), The Weird Show (part 2 of 3), The Weird Show (Part 3 of 3), Art Spiel, dart, Sculpture, WHITEHOT (Canada), ARTES magazine, ARTnews, The New York Times, artscope, O2magazine (China), Creative Loafing, Post Road Magazine (issue 19), Post Road Magazine (issue 20), nyartbeat, The Advocate & Greenwich Time, The M magazine, Time Out New York, Skin & Ink, The Record Review, Art New England, San Antonio Express, San Antonio Current, Riverdale Press, Art in Culture (S.Korea), ZING magazine, THE NEW YORK GAHO (cover and feature-Japan), Poetry and Thought (Japan), ANIMALmagazine, artnet, NYARTS magazine, culturecatch.com, NY Arts Journal, and BLURRED VISION (cover art issue #1 and interior pages issues #1-3).
Lombardi has written features and art criticisms that have been published in
Whitehot,
The Brooklyn Rail,
ARTES,
The Huffington Post,
ARTslant, Art Experience NYC,
Public Art and Ecology Magazine (China),
The New York Times,
Sculpture, Sculpture Review,
d'ART (U.S. Editor),
Art in Asia (S.Korea), Art Papers,
Art Lies,
ARTnews, & magazine, Juxtapoz,
New Art Examiner, Art New England,
NYARTS magazine,
culturecatch and others.
As a curator, Lombardi has worked with numerous artists on such shows as
A Horse Walks Into a Bar, I Am..., Foodie Fever,
Waterworks,
Where to Draw the Line,
Photo A Go-Go,
Parallel Fields,
Natural Impact,
Water Over the Bridge,
Pattern, Power, Chaos and Quiet,
Free Form Five,
Emily Berger: Rhythm and Light,
Self Indulgence,
Counterpoints to the Narrative (artes review) (culturecatch review),
Duchamp's Plumbing,
Tondo, Tondo, Tondo,
NewCopenYork,
SPORTSVERGNÜGEN,
Facie: Self Portraiture Interpreted by 25 Artists, Raid Envy, Exquisite Porch (creative loafing review),
Through the Veil of the Soul,
Shaky Ground (artes review) (culturecatch review),
HEAD (Hampden Gallery/UMASS Amherst),
reVision,
A Tangled Web,
HEAD (Bosi Contemporary, NY, New York), Eye on the Storm, In Their Own World, Kerosene Garden, Monkey Spoon (culturecatch review),
Anonymous (culturecatch review),
Suspect Reason,
Nature Calls, The Intelligent Design Project, Bóm: How art can disrupt, reorient or destroy, Art Noir, Fear is a Four Letter Word, Speaking in Strings: Ken Butler & Kurt Coble, Scapes, Critics Select I & II, The Reality Show, East Vs West, Over the Top - Under the Rug, FUNKADELICIDE, The Impact of War, The Waking Dream, Obsession (Food), Lights - Sound - Action!, The Tradition of Icons, and Champions of Modernism: Non- Objective Art of the1930s & 40s and Its Legacy.
